In case you're pondering what the eventual fate of design appears as though, it would seem that a mid '90s robot fever dream worked for Web 2.0.
Chanel took to the catwalk at Paris Fashion Week on Tuesday to flaunt its tech-propelled, Spring-Summer 2017 accumulation (yes, they're as of now that much cooler than you).
Chanel innovative executive Karl Lagerfeld portrayed it as an activity in "personal innovation." Here's what we know without a doubt: Lagerfeld has been watching a great deal of Daft Punk film cuts, and one month from now's style magazines will be loaded with "pixelated tweed."
The prepared to-wear gathering was flaunted in Chanel's standard Paris runway venue, the Grand Palais. In any case, this time the set was changed over into a monster server farm, reminiscent of a "Silicon Valley" set-piece (if T. J. Mill operator was a 5 foot 10 model with porcelain skin). Indeed, even the Ethernet links were on-pattern.
As Chanel portrays it, the show began with "robots from an obscure future" - a future where manmade brainpower has worked out how to flawlessly copy your Great Aunt Hilda's most loved Sunday twinset.
What took after was lashings of Tron-like neon, wraparound shades and what Chanel is calling "tops as an afterthought," blended with mark staples like overwhelming chain, knitted cowhide camellia themes and tweed.
There were even light-up purses and additionally a little robot grasp, complete with working circuit board.
We comprehend why you're befuddled. The edited coats say "Princess Grace" yet the sideways tops say "Crisp Prince of Bel Air."
You aren't intended to comprehend design, you just get it with lowliness from the Great Karl, as he plummets his precious stone staircase each quarter, whether it be in New York, London, Milan or Paris, to let you know what to wear.